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Archive for April, 2009

FREE Voice Over Teleseminar Webinar!

April 28th, 2009
Ted and I have been getting a lot of great feedback from our video series and from our blog, but some of the questions and comments just need to be answered or addressed live. Soooo….We’re doing a Free voice over teleseminar/webinar! This will give you with the chance to not only get a lot of great info, but also to ask follow up questions and comments.  
As soon as we get all the details, we’ll pass it along, BUT….
 
WE NEED YOUR HELP!
 
Please leave any questions or comments that you’d like us to answer or address in the teleseminar/webinar. You can do that by simply commenting on this blog posting. (There is a link to leave a comment both in the upper right and lower left of this posting.)That way we can be prepared to meet your needs during the call. We plan on taking live calls and emails as well.
 
So go ahead and leave your questions or comments and we’ll let you know as soon as possible when the Free voice over teleseminar/webinar is going to be.
Thanks! We’ll be “talking” soon!
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admin Education, Technique Tips

Forget About Typecasting In Voice Over Acting!

April 24th, 2009

As an actor, when you play a successful character for years, it’s easy to get type cast. As soon as you walk into a room, everyone looks and calls you by the character’s name and not your own. That’s because unless you had to wear a lot of makeup for the character, your face goes with you from character to character. 

Not so in Voice Over Acting! Some of the actors that have played the same character for years can jump right into a new role, and no one is the wiser. That means more jobs could potentially be available! Just ask the voice of SpongeBob SquarePants, Tom Kenny, who just picked up another gig.

Take a look at this article to see one of the many paths Voice Actors take to success:

Click here to read the article.

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admin Animation Voice Acting

Voice Acting From The Director’s Perspective

April 18th, 2009

 

I found an interesting article today with tips for Directors and Producers, on better communication with Voice Actors. Kind of taking a look at it from the other side of the microphone. Here’s a snippet:

Directing the Voice-over Actor: Tips for Better Communication

By Vicki Amorose

Advice for directors and producers, written from the perspective of the voice-over actor. Intended to improve the recording session experience. These tips apply to voice acting of all types. The terms voice-over actor/voice-over talent/talent/actor are used here interchangeably.

To read the whole article, CLICK HERE.

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Think your voice should be in be in pictures? How about your mouth too?

April 15th, 2009

We have been speaking about the possibility of work as a voice actor leading  to on camera work for a client or project.  Well in the virtual world of gaming a revolutionary method called Voice Over Capture  (VOCap) has been used by the creators of Chronicles of Riddick.  Now it is not the actual image of the voice actor but it is the movement of their mouth as they deliver the lines that is tracked, captured and integrated into the game characters movement.  That is why, when we say you have to deliver the lines as if you are acting the part, in the virtual world of VOCap your intesity and attitude will be captured now in gaming history!!!  Watch the creators of Chronicles of Riddick detail how they incorporated VOCap into the recording of Vin Diesel and others in their ground breaking voice acting performaces.

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admin Animation Voice Acting

Age is just a number part deux!

April 12th, 2009

Enjoy this story about Hal Douglas and realize it is never too late to realize a dream…Great story from NYT …IT’S been almost eight months since the death of Don LaFontaine, and everyone who’s anyone in his business — the business of announcing movie trailers — says there will never be another Thunder Throat.

Often called “the voice of God,” Mr. LaFontaine recorded voice-overs for more than 5,000 movie trailers and, during a period in the 1990s, had an almost absolute monopoly on network television promotional spots. In the years before his death at 68, he enjoyed a kind of celebrity status, appearing on “Today” and spoofing himself in a popular commercial for Geico. He looked like a bald pirate, and his distinctive face and noise-canceling baritone made him the embodiment of a business whose stars were all previously unseen.

“We lost our alpha dog,” said Marice Tobias, a consultant who coaches many A-list talents in voice-overs. “Don was the focal point for us, and there’s a void now.”

It would be a tad too facile to say that Hal Douglas, an 84-year-old titan in the trailer world, has stepped into Mr. LaFontaine’s shoes. Mr. Douglas has no nicknames. If his voice sounds anything like God’s, it’s God on Day 7: world-weary and slightly amused. He has an agent in New York, but she’s never visited his horse ranch here in the hills of Northern Virginia, where Mr. Douglas makes recordings in a simple studio, sometimes in pajamas. He says he doesn’t want to be compared to Mr. LaFontaine, but for the people who make movie trailers and watch them closely the comparison is unavoidable.

“Hal was the only guy that in some way, shape or form could be mentioned in the same breath as Don,” said Jeff Keels, a Texas television producer who is filming a documentary about Mr. LaFontaine and others called “The Voice Gods of Hollywood.” “But there’s a difference between Don and Hal. When Don said, ‘In a world …,’ it sounded like a spot. It grabbed you. But when Hal says it, it transports you.”

Mr. Douglas says he can’t keep track of what trailers he recorded yesterday, much less over the almost 60 years he’s been behind a mike. He did “Philadelphia” and “Forrest Gump,” “Men in Black” and “Coneheads,” “Stranger Than Fiction” and “Marley and Me.” He recorded a voice-over for the Broadway play “Equus,” narrated programs on the History Channel (in the days before “Ice Road Truckers”), and served as the voice of the WB network.

“The fact is, my voice has been out there,” he said. “And it hangs out there. You sit down in the theater and sometimes in three out of four trailers I’d be on them.”

Mr. Douglas was born in 1924 in Stamford, Conn., the son of immigrants from Latvia and Russia. He spent three years in the Navy during World War II and wrote fiction in his free time. After the war he enrolled on the G.I. Bill at the University of Miami, where, he said, “I chased pretty girls into the drama department.” Acting became a passion; but passions, he said, don’t always pay the rent, especially in New York City. And so he went into radio and trained as an announcer, which later led to voice-over work.

“I’m not outstanding in any way,” he said. “It’s a craft that you learn, like making a good pair of shoes. And I just consider myself a good shoemaker.”

For a shoemaker Mr. Douglas is paid quite handsomely. He won’t quote figures, but he stands at the apex of a group of 15 to 20 voice actors whom Hollywood has deemed trailer-worthy. According to Ron Moler, the chief executive of the movie marketing studio Ignition Creative, these top voice actors typically earn between $1,800 and $2,200 per trailer. And it only takes them from 15 minutes to an hour to record one, making this very lucrative work for the few who can get it.

And those few are shrinking in number. “When you look at the demo that typically goes to the cinema, the 18-to-24 male crowd, they’re always going to get a booming, unsubtle voice to say, ‘Go and see “Transformers” immediately, or die!’ ” said Bill Ratner, who has voiced trailers for Judd Apatow and Will Ferrell movies. “These days the classiest fall releases often don’t use an announcer at all.”

Incidentally Mr. Douglas is not the only octogenarian in coming attractions. At 82 Don Morrow has a career in voice-overs that goes back more than 60 years, to when he was a student at Syracuse University, imitating Edward R. Murrow and capturing his voice on an old wire recorder.

“There’s nobody as old as Hal and me,” said Mr. Morrow, who did the trailer for “Titanic” but must audition for new work. “I’m sure that you’ve heard more than one story about guys that retire. They die. And I don’t want to die. So I’ll work till I drop.”

Ms. Tobias, the voice-over consultant, said Mr. Morrow and Mr. Douglas are still hired to do trailers for the same reason that Tony Bennett is still singing. They don’t sound passé because they don’t think their time has passed.

“What is it that makes someone current to the culture when a lot of their peers fall by the wayside?” Ms. Tobias said. “Some older guys want to tell me what’s wrong with what’s going on now and how it was so much better in their day. ‘Wait a second — what do you mean in your day? Am I working with a ghost?’ ”

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